Saturday, December 31, 2022

A Note on Three Forgettings and the Task of Modernity, Or, Why Arendt is Right about Heidegger, Strauss, and Gendlin

Heidegger, Strauss, and Gendlin all claim that modernity involves some sort of forgetting.


Each of them use this claim about a forgetting to pose a task.


We have forgotten X, therefore we must learn/recover/think/understand Y. 


This therefore is very peculiar.


Heidegger says we have forgotten Being.


Strauss says we have forgotten the tradition of Esotericism.


Gendlin says we have forgotten the reality of implicit intricacy (or never known it).


For Heidegger this means we must recover a genuine understanding of  Being (as opposed to the beings, which are so well categorized and manipulated by modern science). When we recover Being we will recover authenticity and the experience of Being-in-the-world.


For Strauss this means we must recover the conflict between philosophy and politics, go back before Enlightenment harmonism and remember the real nature of philosophy as an expression of the ambivalence of human nature. This, too, seems to come along with its own form of authenticity.


For Gendlin this means recovering a sense of the more than formal nature of thinking: we must learn to "think beyond patterns," as one of his short books puts it. For Gendlin, too, this means rediscovering authenticity: we will recognize that being authentic or real never means being formal, but always means placing form in service of intricacy.


Arendt is right that all philosophies of history are an attempt to restore human contact with the world. We feel disconnected, estranged, disenchanted, alienated. She is right about all of them in this regard.


All these people posited a forgetting and the need for a recovery.


I am persuaded of some version of this project. I currently favor some synthesis of Strauss and Gendlin, but of course I think this would be a return to Being, as well.


I suppose I want to claim that approaching Being means approaching our particular way of being. 


Approaching our particular way of being means approaching the intertwining of our political-role identities and our deeper-intricate selves. Being is the being of both the esoteric-exoteric divide and the intricate-formal divide.


Eso-exo and intricate-formal are the same problem.


Both are the problem of this being that finds itself strangely open to Being.

Friday, December 9, 2022

The Unsaid and The Body - In Praise of Tomberlin

 Sarah Beth Tomberlin—who records songs simply as Tomberlin—is one of the most profound singer songwriters I have encountered in recent memory. Her debut album "At Weddings" is astonishing. The opening track "Any Other Way" has brought me to tears on more than one occasion. "I didn't know any other way..." she repeats over and over as the song closes. "You Are Here" and "Seventeen" are two other standout tracks on the standout album.


Her 2020 EP "Projections" filled out  her sound a bit more, moving beyond the spare guitars of her debut. Her most recent release, 2022's "I don't know who needs to hear this [idkwntht]" is fuller still with electric guitars, drums, and supporting musicians. My favorite song is "born again runner."


I have recently come to appreciate the depth of her song "unsaid." I reproduce the lyrics here in full:


"[Verse 1]
Left my home and a best friend
The places I could hide
For a city of six-lane highways
And lots of traffic lights
But I'm trying to grow roots here
Keep my feet on the ground
But sirens swim and circle
The shore that I have found


[Verse 2]
Well, it's only been a few months
And I can't tell the difference
Was I happy in the quiet?
All the open-handed distance
From the people and their parties
Where no one really talks
Distracting from the thought of you
And all those late night walks

[Chorus]
'Cause if I don't call you up
Thеn I don't have to feel down
And if I don't say I miss you
Then you nevеr have to be around
If I don't say I love you
Then you don't have to love me
See how simple
The unsaid keeps things?

[Verse 3]
And Lucy gave me a reading
King of Cups and Queen of Wands
And in the middle, a perfect picture
Of everything I want

And I laugh 'cause it makes sense
But something leaves me feeling wrong
I know you're not a perfect picture
But my heart, it won't shut up



[Chorus]
'Cause if I don't call you up
Then I don't have to feel down
And if I don't say I miss you
Then you never have to be around
If I don't say I love you
Then you don't have to love me
See how simple
The unsaid
(Ooh)"

 

I often say to myself, friends, or clients that the unsaid doesn't go away.

 

The unsaid goes into the body.

 

Tomberlin knows something like this, it seems. The song playfully invokes a problem that I and most people are familiar with: "If I don't say anything about it then what is the problem? The talking about it makes the problem, right? I don't want to make any trouble... I just won't say anything..."

 

"See how simple the unsaid keeps things?"


Life is complex prior to our speaking of it. Problems exist priour to our speaking of them.

 

Speaking of them, no doubt, clarifies them, raises them to a level of clarity, explicates them

 

But the problems are not linguistic inventions, and refusing to speak of them will not solve them. 


The many beings seem to have many problems without any words at all. 


Tomberlin knows that the unsaid doesn't solve anything. 


But it can keep things appearing simple...


It isn't until I came to write this essay that I realized she leaves the last line of the song... unsaid...


I'm listening to it now. 


"See how simple the unsaiiiiiidddddoooooohhhhhhh...."


She leaves the last line implied... Or the not finishing of the line implies.... something.....


Tomberlin leaves unsaid what I think is the implied conclusion of the song: not speaking of something does not make it go away.


I am working, slowly, on a paper I will present at a conference in the spring. It will be titled "Person, Body, Unconscious."


I will be working to redefine the unconscious in terms of incomplete body process.


The unconscious could be many things, but it is at least partly our lived awareness of the unsaid.


Our body implies symbols, instructs us in its hunger for the symbols that will develop and further our living in situtations.


Tomberlin understands much of this, it seems to me.

Thursday, December 1, 2022

A Note on What it Means to be 'Natural'

 I have been concertedly reflecting on the word nature in one way or another since 2015 or so. I read so much Collingwood, read so much about the distinction between nature and history (now nature and nurture for us), that the problem of nature should inevitably arise.


I was recently wasting time on the internet and came across this guy who calls himself a Tarzan Coach. We have been ignoring our animal side, he says. We should knuckle walk and climb trees, he claims.


I think this is not without value, but it seems misleading to me.


The other day I made this claim to a friend: "If we want to understand what it means to be natural, as a human being, then we need to rediscover the real power of speech."


This claim is predicated on the following presuppositions (in an unclear order):

1. The concept of nature can be applied to both living and non-living things


2. Naturalness with regards to living things is fundamentally about the capacities of a particular body. What is natural for a fish is not natural for a horse. 

 

3. All living bodies are chiefly defined by their ongoing processes. The caterpillar-becoming-butterfly must be understood as one process, despite the fact that it takes on radically different forms. The nature of that process, however, looks quite different: the caterpillar body has different natural capacities than the butterfly body. But this is, of course, also true of human bodies: the child body can do things that the mature body cannot, and same for the body of an elder (not an elderly person, but an elder, a wise older person, their body, too, is such that it is capable of things that the young body is not. Things, hopefully, like wisdom). 


4. All living bodies proceed via interaction with their environment. I am currently interacting with my chair by sitting on it, my keyboard by pushing buttons, and my tea by consuming it. 

 

5. For an animal to be natural is for it to find a way of interacting with its environment that further develops or carries forward its capacity. If you dropped an orangutan into the middle of the ocean, for example, it would certainly find ways to interact with that environment (probably mostly thrashing). But it would be absurd to say that the middle of the ocean is the proper way to carry forward or develop a body of that sort. 

 

6. The human body is like other animal bodies in that its naturalness is equivalent to its flourishing in interaction with an environment that is conducive with its development.

 

7. Living bodies range in their complexity so that being natural may look quite complex or quite simple. A protozoa or a plant doesn't have especially complicated potentialities. Therefore its naturalness is a simpler matter than ours.

 

8. Life proceeds via layering or pyramiding, so that what was needed at previous stages of bodily development is essentially still needed.

 

9. We are one of the most complexly layered creatures that we have observed, and our nature seems particularly difficult to understand. What is the right environment for the human being to interact with so that it will flourish? This is a deeply complicated question because we are the making animal who is capable of changing their environments more radically than the other animals (because the other animals of course build dams, nests, and all sorts of things). 

 

10. It is a mistake to identify naturalness with any component of a living process (such as neurology or physiology) or to claim that only the 'primitive' or early layers of development are natural. This is hard for us, our ability to modify the environment is so intense that we can posit ourselves as standing outside this order. But we do not need to claim that there is anything unnatural about culture, language, or symbols. Culture as a concept, of course, often stands in relation to the notion of nature, but this is a problem with our language, not reality.

 

11. The human capacity for speech, making, and political organization must be seen as just as natural as a fishes capacity for swimming or a gazelle's ability to leap. There is no need to deny naturalness to these capacities of our bodies.


So, then, I raise the question, why would I have to go back to 'monkey' in order to be natural? If naturalness is about an animal body actualizing its potentials in a conducive environment, then why would we think we need to actualize just those primitive layers we can share with others?


To make the point, would we say that a fish is less natural than the single celled organisms that it evolved out of? If a human being needs to 'return to monkey' to be natural, then why doesn't the monkey need to return to its evolutionary precursor?


The natural cannot be identified with the developmentally or temporally primitive


The human capacity for speech is in dire straits. We have been relegated to the lower layers of our nature by modern society: our nutritive/plant body, our behavioral body, and our symbolically augmented behavioral body. The deep, real capacity for speech, in which it changes things, moves situitions in real, concrete ways, this power has been hidden from us by the bureaucratic and industrial nature of modern society. Indeed, Hannah Arendt's The Human Condition recently made this painfully clear to me: Modern society is fundamentally behavioral, and we have lost the capacity for speech. (I recently wrote a blog post for my employer that covers this exact topic. My views, of course, are my own). 


To rediscover the naturalness of being human is to discover the power of speech. For only in the experience of speech, the deep and mysterious possibilities of speech, can we understand what it means to be fully human. In the power of speech we experience ourselves as both the animal with language and the political animal.

 

This does not mean I regard modernity or industrial society as natural or  good or okay. But it does mean that, somehow, this situation has been created by a body exercising its natural capacities in interaction with its environment.